The two exceptions are miswired cables and “live cross patching” on a patch bay. Phantom power is actually required for operation on our active R-122 and SF-24 microphones. Designed primarily for classical applications and acoustic instruments, the SF-2 combines high-quality audio performance with our exclusive active electronics for ribbon microphones. Phantom power is actually required for operation on our active R-122 and SF-24 microphones. The 121 seems to be a lot more robust than those old ribbons, and by all acounts that I've heard, the older ribbons do get fried with phantom power. In 1998 we introduced the R-121, the modern ribbon mic that reintroduced ribbon microphones to engineers worldwide and put ribbons on the map. I sent accidently +48V on a Venueboard to a royer last weekend (livemixing).. nothing happend.. http://recforums.prosoundweb.com/ind...48e5#msg_86678, http://losangeles. with a permanently polarized 16-mm (0.63")diaphragm element and a preamp that requires 48V phantom power. The mono SF-2 has found its home in the classical arena where it gives extremely natural reproduction of strings, woodwinds and the like. The SF-24V ribbon microphone is the pinnacle of our stereo ribbon microphone designs. So which is it??? The R-122 MKII ribbon microphone continues in the lineage of our original R-122, the world's first phantom-powered active ribbon™ microphone. The SF-24 ribbon microphone has all of the outstanding stereophonic capability and sonic performance of our award winning SF-12 stereo ribbon microphone, with the addition of condenser-level output and impedance matching circuitry. Royer Labs is dedicated to the art of the ribbon microphone. It’s a great sounding ribbon mic at a price that makes it ideal for live stages and project studios. The Royer Labs R- 121 mic is a weird looking device in my opinion but that doesn’t mean the sound isn’t good. I've heard some people say you can hit them with phantom and it's no big deal. © 2020 Royer Labs • 2711 Empire Ave., Burbank CA, 91504 • 818.847.0121. Welcome to the new world of ribbon microphones! Used on everything from electric guitars and trumpets to cellos and woodwinds, Royer R-series ribbon microphones are lifetime warranted and can handle SPL’s like ribbon mics never could before. Fletcher is the first I've heard to say otherwise, or maybe he was just refering to the Royer 121. When a mic line is crossed-patched at the patch bay, there is a temporary short that occurs as the jack is being inserted. patch an R-121 through the mic tie lines of a patch bay if phantom power is enabled on any of your mic pre’s, as this will give the ribbon element a brief but damaging phantom power jolt. On the other hand the manufactures claim that phantom power hitting a 121 is a big problem. Or do they just fry and die if there is a problem? Originally developed in 2001 as a benchmark for testing R-122 designs against, the unique R-122V has evolved into a world class ribbon microphone with amazing depth and reach in the midrange frequencies and a lush-ness you'll need to hear for yourself to believe. The Royer R-122 MKII's proprietary offset ribbon transducer (Patent # 6,434,252) positions the ribbon element closer to the front (logo) side of the microphone. R-122 MKll Active Ribbon Microphone In 2002 we introduced the R-122, the world’s first phantom powered, active ribbon™ microphone. On the other hand the manufactures claim that phantom power hitting a 121 is a big problem. For best and safety reasons, turn on your preamp first - ensure that the phantom power is of - then plug the Royer 121 ribbon microphone. I've only heard of 1 case of a ribbon mic getting blown because of phantom. The R-10’s compact size and mounting system allow for flexible, unobtrusive positioning. However I am wondering how sensitive these Mics are to 48volts? The SF-2's output of -38 dB puts its sensitivity on par with that of phantom powered condenser microphones, allowing it to be used with a wide variety of mic pre's regardless of gain characteristics. Hey there! The R-122V ribbon microphone is the world's first vacuum tube ribbon microphone. Recording on the back of the R-series microphone. The R-122 Live is a road-optimized version of our phantom powered R-122 MKII ribbon microphone. with a permanently polarized 16-mm (0.63")diaphragm element and a preamp that requires 48V phantom power. Royer ribbon microphones are not usually affected by the presence of phantom power. the Royer 121 ribbon mic will tolerate phantom power. TT) patchbays. ***************/msg/95051002.html, Pictures Of Mic'ed Up Drum Kits In The Studio. An assistant used a miswired 5 pin cable from a Russian tube mic on a friend's SF-12. When you buy products through links across our site, we may earn an affiliate commission. In addition, the ribbon element can't be damaged by phantom power, miswired cables or electrical glitches. It was a revolutionary development in ribbon mics, combining impedance matching circuitry with condenser-like output levels that allowed the R-122 to be used on even the quietest sound sources. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. Never attempt to test the R-121 or any ribbon microphone with an ohmmeter. Patented Offset Ribbon Technology. The unique electronics and custom designed FET's used in the SF-2 deliver ultra-quiet operation, with self-noise of lower than 18 dB. Applications The Royer Labs model R-121 is a versatile microphone and is ideally suited for many critical recording applications. The ribbon got fried when it was plugged into a desk that had the phantom on always. It is built using a chassis for a large-diaphragm mic, i.e. R-121 Studio Ribbon Microphone Released in 1998, the award-winning R-121 is our flagship … As I understand it, the main danger to ribbon mics as far as phantom power is concerned comes from "hot patching" your mic into your preamp via TRS (e.g. I've heard some people say you can hit them with phantom and it's no big deal. The new Royer R-10 utilizes our patented 3-layer protective wind screen system and an internally shock mounted transducer, and ships with a swivel mic mount and carrying case. 5. Under normal working conditions, phantom power will not damage a Royer ribbon. So Fletch if I have 48V on my console should I turn it off, plug in the 121, and turn the 48V back on after xlr connections are made? You can't turn off the phantom power on a Neve 8068 or 8078 console... but people seem to manage to use ribbon mics with them all the time... in other words, there is no danger, that rumor is an old wives tale, urban legend, crock of **** what ever you care to call it. The Royer Labs R- 121 mic is a weird looking device in my opinion but that doesn’t mean the sound isn’t good. The R-121 ribbon microphone is our flagship microphone. I am thinking about buying a 121 to track guitars, horns, ect.. with. Royer 121 vs. Phantom Power? Page 1 ROYER Labs Model R-121 Ribbon Velocity Microphone Operation Instructions Manual & User Guide Made in U.S.A ... Do not patch an R-121 through the mic tie lines of a patch bay if phantom power is enabled on any of your mic pre’s, as this will give the ribbon element a brief but damaging phantom power jolt. For orchestra, acoustic instruments and all critical stereo applications, the SF-24V is perfection. The R-122 MKII Live's output is on par with phantom powered condenser mics, allowing long cable runs with minimal signal loss or RF pickup, and it produces the warm, natural sounds that only ribbon mics can deliver. Stereo SF-series mics are a go-to choice for drum overheads and are exquisite on piano and full orchestra pickup. The two exceptions are miswired cables and “live cross patching” on a patch bay. However I am wondering how sensitive these Mics are to 48volts? So which is it??? It delivers all of the warm, natural tone of our R-121, but with 13 dB more output, a switchable -15 dB pad, a switchable bass cut, and impedance matching circuitry that makes it compatible with virtually any mic preamplifier. Royer’s SF-series ribbon microphones combine a warm, natural sound pickup with exceptional detail, nuance and dead-flat frequency response. A blown ribbon could result. The SF-2 ribbon microphone is a phantom powered version of our original SF-1 ribbon microphone. It's everything a ribbon should be -warm, smooth, natural sounding. With our TEC Award winning Live Series ribbon microphones, you get greater durability from the ribbon element, allowing you to put ribbons anywhere on stage with complete confidence. Shortly after the R-121 we released the SF-12 stereo ribbon mic, followed by the R-122, the world's first phantom powered ribbon microphone. 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