Andrugio abjures the disguise. In this speech, the reader learns that Andrugio is either dead or missing after a battle with the Duke of Venice and that Antonio is disguised in order to reunite himself with his lover, Mellida, daughter of Piero. They then make plans to escape the court in order to follow their passions and wed. Throughout this complicated play, there is also a subplot featuring Mellida's cousin in which she is humorously wooed by many suitors, but ultimately decides to remain single at the conclusion of the play. https://en.wikipedia.org/w/index.php?title=Antonio_and_Mellida&oldid=851078415, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 July 2018, at 22:16. It was followed by a sequel, Antonio's Revenge, which was written by Marston in 1600. The play begins on a ship, with a ship-master and a boatswain trying to keep the ship from wrecking in a tempest. Antonio, a Venetian merchant, complains to his friends of a melancholy that he cannot explain. eNotes plot summaries cover all the significant action of The Duchess of Malfi. Nonetheless the two plays do hang together in many ways, creating a generic diptych – the first a tragi-comedy, the second a full-blooded (in every sense of the word) revenge play. Antonio's Revenge begins where the previous play ended. The play was entered into the Stationers' Register on 24 October 1601, and first published in quarto in 1602 by the booksellers Matthew Lownes and Thomas Fisher. The Merchant of Venice Summary. His friend Bassanio is desperately in need of money to court Portia, a wealthy heiress who lives in the city of Belmont. The heiress Portia, now the wife of Antonio's friend, dresses as a lawyer and saves Antonio. He orders his daughter to confinement and sends his men out to hunt for Antonio, who has fled from the scene. Rapid transitions of action and feeling are a characteristic of both, but particularly of Antonio’s Revenge, where extreme grotesque and bloody action in multiple murders is juxtaposed with absurd comedy. Antonio’s Revenge deploys extended dumb shows, devices which are poised half-in and half-out of the worlds in which they are set and to which they contribute both narrative and emotion in a much compressed form. However, their plans become complicated when Piero discovers Antonio's deception. They are intrigued by this unknown female "in strange accouterments" (I.i.140). More detail: 3 minute read. Andrugio, not dead but cast up on Venice's beach, is entreated by his counselor, Lucio, to disguise himself as a shepherd. In both it seems as if Marston in these early plays is experimenting with what he and the boy actors can manage to get away with, and this experimental quality is one of the many things which gives them their interest for a modern audience. As the men prepare to eat, Ariel appears like a harpy and causes the banquet to vanish. Piero becomes so moved by his enemy's valor and hardship that he decides to embrace Angrugio and reward him with the promised bounty ("twenty thousand double pistolets with the endearing to my dearest love" V.ii.245). Antonio, an antisemitic merchant, takes a loan from the Jew Shylock to help his friend to court Portia. Summary: This play is a sequel to the romantic comedy Antonio and Mellida. The Merchant Of Venice Summary. Faculty of Engineering and Physical Sciences, Antonio and Mellida and Antonio’s Revenge, © 2020 University of Leeds, Leeds, LS2 9JT. Antonio and Mellida is a late Elizabethan play written by the satirist John Marston, usually dated to c. 1599. Thanks for exploring this SuperSummary Plot Summary of “The Merchant Of Venice” by William Shakespeare. Happily married and Piero and Andrugio make amends he goes to a Jewish money lender, Shylock… Antonio and father. 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