Reviews. Click on either meter, and a dialog appears in which you can set the plug-in’s internal reference level corresponding to 0 VU. Published: 04/29/2020, [Editor’s Note: Shadow Hills has released a newer version of its Mastering Compressor, called the Mastering Compressor—Class A, with a few more features, a similar interface and emulation of class A electronics.]. So, no matter what type of audio work you do, it’s definitely worth checking out this processor. The plug-in’s two channels can be operated either independently (in dual-mono mode) or linked for stereo processing, wherein all knobs and switches in the left channel—save for the switch that selects its meter’s source—control both channels. These new cans, courtesy of German manufacturer HEDD, might just represent a more forensic way to monitor our mixes. Our exploration of LiquidSonics’ oeuvre reaches its celestial summit, as we ascend to seventh heaven. Learn more. It is also just about the best compressor for acoustic guitars that I’ve ever had the pleasure to use – truly magnificent! Mix with the entire Beatport catalogue on virtual decks. It’s the most wonderful time of the year for your plug-in folder. The ratio can be switched between 1.2:1, 2:1, 3:1, 4:1, 6:1 and ‘Flood’, which gives an extreme 20:1 ratio. So, while I never found an instance where using both compressors at once (or the Optical one alone, for that matter) sounded best for mastering, it was great having the Optical compressor to use on select vocal and bass tracks. The output level of the optical stage can be adjusted to make up for the stage’s gain reduction and to drive the signal arriving at the second compression stage. WEBSITE: plugin-alliance.com Modeled Opto and VCA Compressors in One Plug-In. I preferred using the Discrete compressor alone—with 1.2:1 ratio—while mastering a shrill, thin-sounding pop-rock mix. Learn more Shadow Hills Industries Mastering Compressor. An Optical and a VCA. But as well as being clumsy to work with, you wouldn’t get the subtle character variability that the SHMC’s switchable transformer provides. The Optical compressor features two stepped rotary controls: Turn the Optical Threshold control clockwise to lower the threshold and increase compression depth. The Optical compressor’s slow attack also made bass guitar sound a little tighter and more percussive—great for reinforcing a rhythmic groove—and the iron transformer gave it a slightly fuller yet still focused sound. Hardware Emulations; Mastering; Secret Weapon; Customer reviews ★★★★★ 4.9 out of 5 stars. Time and again I returned to this or similar setup for mastering. SHMC Red ★★★★★ by Onesimus. Pop-Rock mix Concertmate MG-1 wrapped up in an attractive interface level if the are... 2 compressors in one among six attack-time settings ranging from 0.1 to 30 ms, render it fairly unsuitable use. 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