Anna Muylaert was born on April 21, 1964 in São Paulo, São Paulo, Brazil. Márdila (left) and Muylaert at Sundance, in January, holding the award for best actress given to Márdila and Casé. I was showered with praise and declarations of love, but there is the other side. ", What she proposes about male and female roles goes hand in hand with what modern cinema presents as well. "This isn't a subject that's exclusively Brazilian or American either. I think it is actually capable of establishing a dialogue, but at the same time this "success" brings many problems. At the Berlin Festival, it won the Panorama Audience Award. Although there is a lot of machismo, we are all strong and changing, not even just Brazil, but the whole world. 2015 Sundance Winners - which do you want to see most? And she's absolutely right. What does Val symbolize in today’s Brazil, where the lower classes have greater purchasing power, access to universities, etc.? Privacy, Indiewire It is a good film; it addresses universal issues; it was sold to many countries and is a success all around the world. The women in your film, Val and Jéssica, are memorable. página oficial da cineasta brasileira Anna Muylaert Joshua Reviews Anna Muylaert’s Don’t Call Me Son [Theatrical Review]. "You know, that wasn't even planned, but Karen Harley is the best editor in the country for sure," she boasts of her collaborator. are all made by men. Anna Muylaert was born on April 21, 1964 in São Paulo, São Paulo, Brazil. A lot of people are campaigning for "Que Horas Ela Volta?" We're the ones who raise the kids. I'm lucky enough to be a writer and a screenwriter a lot of the time, so I can be inside the house and with them a lot, but a lot of women can't. The Miami New Times may earn a portion of sales from products & services purchased through links on our site from our affiliate partners. I am struggling as I have probably never struggled before in my life. ©FILMSTARTS.de, Mit They're old and young and just normal. Is the Brazilian film industry machista? What about the Oscar? And it's good to see in my movie that these women aren't models. However, since the '60s women began gradually feeling empowered, both in the film industry and in other professions. Anna studied filmmaking at the School of Communications and Arts at University of São Paulo (USP) from 1980 to 1984. When the estranged daughter of a hard-working live-in housekeeper suddenly appears, the unspoken class barriers that exist within the home are thrown into disarray. And he looked at the co-producer all the time, never looking at me, as if suggesting that if the film was good, the responsible party could only be a man and not a woman. With her film playing the Brazilian Film Festival of Miami earlier this month and opening at the Tower Theater and Miami Beach Cinematheque on September 25, we got to have a phone interview while she was visiting the city for the fest. Get all the latest election results from across the country, with up-to-the-minute maps and more. She also wrote scripts for the Cultura programs Mundo da Lua (1991–92) and Castelo Rá-Tim-Bum (1994–97). 50 Länder. The Second Mother (Portuguese: Que Horas Ela Volta?, lit. Second Unit Director or Assistant Director, A Origem dos Bebês Segundo Kiki Cavalcanti, 10 Days of Different: Sundance Film Festival. Everybody is trying to raise the salary of the nanny, or move the nanny from a small room to a better room, and the place of the nanny is being illuminated and it's changing. [1] Seven years later, she released her second film, É Proibido Fumar, which won eight awards at Festival de Brasília, including Best Screenplay and Best Film. Muylaert says she's had multiple journalists discuss the subject with her, specifically telling her that they understand the issue of trying to balance work and children. They tend to believe that no woman could have achieved that. Sign Up ›. We would like to show you a description here but the site won’t allow us. The time has come to show the other point of view. Über uns | While we’re on the topic of women, the character Val, in your film, is amazing. With Regina Casé, Helena Albergaria, Michel Joelsas, Camila Márdila. São Paulo, São Paulo, Brazil, 12 January 2018 Careers, By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. All rights reserved. Tap here to turn on desktop notifications to get the news sent straight to you. You can help by participating in our "I Support" membership program, allowing us to keep covering Miami with no paywalls. Festival executive director and director of programming Jaie Laplante said: I and my co-producer had a meeting with him. Although she’s enjoying the best year of her career, things haven’t been easy for Anna Muylaert. In Brazil, she's had multiple instances of people both misinterpreting her film — which focuses on the strained relationship between a live-in housekeeper (Regina Casé) and her estranged daughter (Camila Márdila) — and attacking the characters within the film. 2015 Sundance Winners - which do you want to see most? "We're the ones who work. You have directed the most talked about Brazilian film of the year. Looking for some great streaming picks? When Brazilian filmmaker Anna Muylaert had her first child 20 years ago, she learned firsthand that child rearing in her country was left to women — whether the mother or a nanny. See full bio » Since we started Miami New Times, it has been defined as the free, independent voice of Miami, and we would like to keep it that way. This channel was generated automatically by YouTube's video discovery system. Directed by Anna Muylaert. Check out our editors' picks for the movies and TV shows we're excited about this month, including the premieres of "Marvel 616," Proxima, and more. She left her hometown to work in the "land of opportunities," leaving her daughter Jéssica behind, but supporting her financially. "Que Horas Ela Volta?" Follow Juan Barquin on Twitter @woahitsjuanito. Writer | Support Us The films that reached the level of prominence [of "Que Horas Ela Volta?"] She is known for her work on, Todd Solondz, Mohsen Makhmalbaf, Franka Potente films head for Berlin co-pro market, Here Are All the Upcoming Movies in Theaters for November 2016, Joshua Reviews Anna Muylaert’s Don’t Call Me Son [Theatrical Review]. I thought this was a rich subject and it took me almost twenty years to get the proper plot. All Films ; Fandango US ; Amazon US ; Amazon Video US ; iTunes US ; Upgrade to a Letterboxd Pro account to add your favorite services to this list—including any service and country pair listed on JustWatch—and to enable one-click filtering by all your favorites.. Powered by JustWatch "Men have always occupied the center stage and women stayed in the audience applauding," said Muylaert in an interview with Brasil Post. But I am not going to dwell on that fantasy. She works for an upper-class family living in São Paulo. This is a global issue. One is more contemplative and the other more active. And that's not real." Once again, a successful woman is the target of masculine egos. She represents the strong, affectionate woman. It is a job conducted on many levels. There's a lot to say about negative body image and how films made by men in particular affect women, and she's not even remotely afraid to discuss it. Terms, Jumping right into conversation with Anna Muylaert, whose latest film Que Horas Ela Volta (The Second Mother) is making waves worldwide and was just picked as Brazil's Foreign Oscar submission, was as easy as pie. Use of this website constitutes acceptance of our terms of use, our cookies policy, and our privacy policy. American women get mad at that behavior. We learned at school that the powerful people that have written history, the winners, are all men actually. (“The Second Mother” is its English-language title), has faced the dark side of success: criticism. Director of episodes "Carolina" and "Amélia". I think that's something very healthy for us because women are trapped by this model created by men. B. : We made it easy for you to exercise your right to vote. I'm not sitting at home, drinking pineapple juice and enjoying life. It's also about representation. Jesse Eisenberg, Ed Harris, Clémence Poésy, Mit At the beginning of my career I felt this [gender discrimination] when I realized that I earned less than my male colleague, but not lately. You can call Dilma "lousy,” a "bad president" [if you want to criticize her], but "fat"?! She rarely uses artificial light too, it's all very natural and she's a very intelligent person. Contact Us, Anna Muylaert ist eine brasilianisch Drehbuchautorin, Regisseurin. Support the independent voice of Miami and help keep the future of New Times free. And this inspired me to keep the camera distant here. | You can't even imagine what's happening here," Muylaert explains about the effects her film is having in her country. Impressum | Anna Muylaert was born on April 21, 1964 in São Paulo, São Paulo, Brazil. ScreenDaily When we start to question all this – not only men, but we women too –, we begin to notice and understand where it takes place. In the interview below, the filmmaker comments on these issues, as well as the chauvinist culture present in the Brazilian film industry and the possibility of the film being picked to represent Brazil in the “Best Foreign Film” category at the 2016 Academy Awards. Jobs | For instance: why do people call [Brazilian President] Dilma [Rousseff] "fat" all the time? I realized masculine work was much more valued than the womanly work, and that it isn't more important to make movies than it is to raise a kid, so that was a way to talk about this. One of her other films that I really liked featured a lot of handheld camerawork and she's always behind the main character, so a lot of things happen behind him or behind a closed door where you're shut out of. "Fat", "ugly,” "badly dressed.” Nobody calls [former Brazilian President Luiz Inacio] Lula [da Silva] "fat.” Dilma is "fat,” but Lula isn't. "They were all just really good, and the story just happens to be about women and they're all very strong in their own way. Segment director for 11 episodes. [4] Her fourth film, The Second Mother, entered the 2015 Sundance Film Festival and Panorama at Berlinale film festival, where the film received the Audience Award.[5]. And I think this film deals with maternity. Artyom Gubin, Nikolay Samsonov, Sergey Bezrukov, Von Anna học làm phim tại … z. Entdecke alle Videos und Bilder mit Anna Muylaert. She was the screenwriter of anthological TV series such as Mundo da Lua and Castelo Rá-tim-bum, and of the film O Ano em que Meus Pais Saíram de Férias ("The Year My Parents Went on Vacation") (2006). Then men don't know how to react. I am happy that people are saying nice things about the film and seeing its quality, but I don't take that seriously. Staff, Gabriel D'Almeida Freitas, Xavier Dolan, Pier-Luc Funk, Von So it ends up being normal work. to be nominated next year. Im deutschen Trailer zum Familien-Drama "Der Sommer mit Mamã" heißt es "Viva La Revolution". Get the latest updates in news, food, music and culture, and receive special offers direct to your inbox, Miami Restaurant Directory: Takeout/Delivery/Dine-in, Animator Alec Castillo Rises to the Occasion With, The 12 Best Things to Do in Miami This Week. This is just one example, but there are many others. Either directing, writing, producing…. "I wanted to make a mirror so that people would look at themselves and change and I'm very glad that's happening. She [Jéssica] represents a new generation, a new way of thinking, and she doesn't consider herself as inferior. It is the yin point of view and the yang point of view. | Does this give you goosebumps?
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